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A Common Stage: Theater and Public Life in Medieval Arras
Contributor(s): Symes, Carol (Author)

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ISBN: 0801445817     ISBN-13: 9780801445811
Publisher: Cornell University Press
OUR PRICE: $70.30  

Binding Type: Hardcover - See All Available Formats & Editions
Published: August 2007
Qty:

Click for more in this series: Conjunctions of Religion and Power in the Medieval Past
Additional Information
BISAC Categories:
- Drama | Ancient & Classical
- Performing Arts | Theater - History & Criticism
Dewey: 792.094
LCCN: 2007011001
Age Level: 18-UP
Grade Level: 13-UP
Series: Conjunctions of Religion and Power in the Medieval Past
Physical Information: 1.1" H x 7.06" W x 9.48" L (1.59 lbs) 344 pages
Features: Bibliography, Dust Cover, Index, Maps, Table of Contents
Review Citations: Reference and Research Bk News 11/01/2007 pg. 268
 
Descriptions, Reviews, Etc.
Publisher Description:

Medieval Arras was a thriving town on the frontier between the kingdom of France and the county of Flanders, and home to Europe's earliest surviving vernacular plays: The Play of St. Nicholas, The Courtly Lad of Arras, The Boy and the Blind Man, The Play of the Bower, and The Play about Robin and about Marion.

In A Common Stage, Carol Symes undertakes a cultural archeology of these artifacts, analyzing the processes by which a handful of entertainments were conceived, transmitted, received, and recorded during the thirteenth century. She then places the resulting scripts alongside other documented performances with which plays shared a common space and vocabulary: the crying of news, publication of law, preaching of sermons, telling of stories, celebration of liturgies, and arrangement of civic spectacles. She thereby shows how groups and individuals gained access to various means of publicity, participated in public life, and shaped public opinion. And she reveals that the theater of the Middle Ages was not merely a mirror of society but a social and political sphere, a vital site for the exchange of information and ideas, and a vibrant medium for debate, deliberation, and dispute.

The result is a book that closes the gap between the scattered textual remnants of medieval drama and the culture of performance from which that drama emerged. A Common Stage thus challenges the prevalent understanding of theater history while offering the first comprehensive history of a community often credited with the invention of French as a powerful literary language.


Contributor Bio(s): Symes, Carol: - Carol Symes is Assistant Professor of History at the University of Illinois, Urbana-Champaign.
 
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