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| Figures of Desire: Wordplay, Spirit Possession, Fantasy, Madness, and Mourning in Japanese Noh Plays Volume 38 Contributor(s): Terasaki, Etsuko (Author) |
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ISBN: 1929280084 ISBN-13: 9781929280087 Publisher: U of M Center for Japanese Studies
Binding Type: Hardcover Published: January 2002 Click for more in this series: Michigan Monograph Series in Japanese Studies (Hardback) |
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| Additional Information |
| BISAC Categories: - Literary Criticism | Drama - Literary Criticism | Asian - General |
| Dewey: 895.620 |
| LCCN: 2002031372 |
| Series: Michigan Monograph Series in Japanese Studies (Hardback) |
| Physical Information: 1.1" H x 9.1" W x 6.2" L (1.35 lbs) 348 pages |
| Themes: - Cultural Region - Japanese |
| Features: Bibliography, Illustrated, Index |
| Descriptions, Reviews, Etc. |
| Publisher Description: Etsuko Terasaki considers the powerful religious-ideological role that Buddhism and the social and economic aspects of Kamakura and early Muromachi society played in framing the status of women in the Noh plays of the period. In a world where social norms break down, the identity of women is fragmented or divided (spirit possession), resulting in madness, being sold into slavery, torture, and even deification. Figures of Desire also examines earlier folk legends that were appropriated into the new construct of Noh as evidence of cultural and ideological shifts or displacements. Through a close critical reading of the Noh texts, Terasaki deals with topics such as sexuality, desire, fantasy, madness, spirit possession, and mourning, aspects of Noh drama that have been ignored in previous commentary. With an analysis of the language of the plays, she examines the intricacy and complexity of the rhetorical presentation. The author also utilizes contemporary literary theory. Figures of Desire opens up new perspectives on Noh drama that may be of interest to religious-cultural studies, feminist studies, dramatic literature, and literary history. The book will appeal to teachers and students of literature, theater, and religion; to those in interdisciplinary and humanities programs; and to general readers interested in classical Noh theater of Japan. |
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