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| Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 Contributor(s): Brooks, Tim (Author) |
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ISBN: 025207307X ISBN-13: 9780252073076 Publisher: University of Illinois Press
WE WILL NOT BE UNDERSOLD! Click here for our low price guarantee Binding Type: Paperback Published: July 2005 Annotation: The first in-depth history of the involvement of African Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides illuminating biographies of some forty of these audio pioneers. Brooks assesses the careers and impacts, as well as analyzing the recordings, of figures including George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Because they were viewed as "novelty" or "folk" artists, nearly all of these African Americans were allowed to record commercially in their own distinctive styles, and in practically every genre: popular music, ragtime, jazz, cabaret, classical, spoken word, politics, poetry, and more. The sounds they preserved reflect the actual emerging black culture of that tumultuous and creative period. The stories gathered here give a previously unavailable insight into the early history of the recording industry, as well as the racially complex landscape of post-Civil War society at large. Lost Sounds also includes Brooks's selected discography of CD reissues, and an appendix from Dick Spottswood describing early recordings by black artists in the Caribbean and South America. Click for more in this series: Music in American Life (Paperback) |
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| Additional Information |
| BISAC Categories: - Music | Recording & Reproduction - Music | History & Criticism - General - Social Science | Ethnic Studies - African American Studies |
| Dewey: 781.641 |
| Series: Music in American Life (Paperback) |
| Physical Information: 1.91" H x 6.98" W x 10.24" L (2.73 lbs) 656 pages |
| Themes: - Chronological Period - 1900-1949 - Chronological Period - 1851-1899 - Ethnic Orientation - African American |
| Features: Bibliography, Illustrated, Index, Table of Contents |
| Descriptions, Reviews, Etc. |
| Publisher Description: A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces--black and white--that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America. |
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