Constellations of Reading: Walter Benjamin in Figures of Actuality Contributor(s): Emden, Christian (Other), Midgley, David Robin (Other), Salzani, Carlo (Author) |
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ISBN: 3039118609 ISBN-13: 9783039118601 Publisher: Peter Lang Ltd, International Academic Publis
Binding Type: Paperback Published: December 2008 Click for more in this series: Cultural History and Literary Imagination |
Additional Information |
BISAC Categories: - Literary Criticism | European - German - Philosophy | Aesthetics - Literary Criticism | English, Irish, Scottish, Welsh |
Dewey: 838.912 |
LCCN: 2008043785 |
Series: Cultural History and Literary Imagination |
Physical Information: 0.81" H x 6" W x 9" L (1.15 lbs) 392 pages |
Themes: - Cultural Region - British Isles - Cultural Region - French |
Features: Bibliography, Index |
Descriptions, Reviews, Etc. |
Publisher Description: How to read Walter Benjamin today? This book argues that the proper way is through an approach which recognizes and respects his own peculiar theorization of the act of reading and the politics of interpretation that this entails. The approach must be figural, that is, focused on images, and driven by the notion of actualization. Figural reading, in the very sui generis Benjaminian way, understands figures as constellations, whereby an image of the past juxtaposes them with an image of the present and is thus actualized. To apply this method to Benjamin's own work means first to identify some figures. The book singles out the Fl neur, the Detective, the Prostitute and the Ragpicker, and then sets them alongside a contemporary account of the same figure: the Fl neur in Juan Goytisolo's Landscapes after the Battle (1982), the Detective in Paul Auster's New York Trilogy (1987), the Prostitute in Dacia Maraini's Dialogue between a Prostitute and her Client (1973), and the Ragpicker in Mudrooroo's The Mudrooroo/M ller Project (1993). The book thereby, on the one hand, analyses the politics of reading Benjamin today and, on the other, sets his work against a variety of contemporary aesthetics and politics of interpretation. |
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