The Merchant of Venice: Language and Writing Contributor(s): Lanier, Douglas M. (Author), Callaghan, Dympna (Editor) |
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ISBN: 1472571495 ISBN-13: 9781472571496 Publisher: Arden Shakespeare
Binding Type: Hardcover - See All Available Formats & Editions Published: June 2019 Click for more in this series: Arden Student Skills: Language and Writing |
Additional Information |
BISAC Categories: - Drama | Shakespeare - Literary Criticism | Shakespeare |
Dewey: 822.33 |
Series: Arden Student Skills: Language and Writing |
Physical Information: 0.5" H x 5.5" W x 8.5" L (0.87 lbs) 216 pages |
Features: Dust Cover |
Descriptions, Reviews, Etc. |
Publisher Description: Arden Student Skills: Language and Writing volumes offer a new type of study aid that combines lively critical insight with practical guidance on the writing skills you need to develop in order to engage fully with Shakespeare's texts. The books' core focus is on language: both understanding and enjoying Shakespeare's complex dramatic language, and expanding your own critical vocabulary, as you respond to his plays. Each guide in the series will empower you to read and write about Shakespeare with increased confidence and enthusiasm. A notoriously disturbing play, The Merchant of Venice explores how the discourses of racial and religious prejudice and of business intertwine and shape how characters understand themselves and their relationships with one another. The intersections between religious, racial and economic language in The Merchant of Venice can be challenging to grasp, but in this guide Douglas Lanier showcases a range of approaches to understanding its language, all based on close reading and attention to Shakespeare's style. The volume will equip you to analyze Shakespeare's troubling portrayal of anti-Semitism for yourself and to articulate your views on The Merchant of Venice with greater insight and confidence. |
Contributor Bio(s): Callaghan, Dympna: - Dympna Callaghan is Dean's Professor in the Humanities at Syracuse University and works on early modern English Literature. She has held fellowships at the Newberry, Folger, and Huntington Libraries, has been a British Academy Visiting Professor and is a Life Member of Clare Hall, Cambridge University. She is an active member of the interdisciplinary Syracuse University Medieval-Renaissance group of faculty and graduate students. Her books include editions of Shakespeare's The Duchess of Malfi, The Taming of the Shrew and Shakespeare's Sonnets, as well as Shakespeare Without Women, Woman and Gender in Renaissance Tragedy, and Impact of Feminism in English Renaissance Studies. |
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