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Nothing Is as It Seems: The Tragedy of the Implicit in Euripides' Hippolytus
Contributor(s): Roisman, Hanna M. (Author)

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ISBN: 084769092X     ISBN-13: 9780847690923
Publisher: Rowman & Littlefield Publishers
OUR PRICE: $134.90  

Binding Type: Hardcover - See All Available Formats & Editions
Published: December 1998
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Annotation: In this valuable book, Hanna M. Roisman provides a uniquely comprehensive look at Euripides' Hippolytus. Roisman begins with an examination of the ancient preference for the implicit style, and suggests a possible reading of Euripides' first treatment of the myth which would account for the Athenian audience's reservations about his Hippolytus Veiled. She proceeds to analyze significant scenes in the play, including Hippolytus' prayer to Artemis, Phaedra's delirium, Phaedra's "confession" speech, and the interactions between Theseus and Hippolytus. Concluding with a discussion of the meaning of the tragic in Hippolytus, Roisman questions the applicability in this case of the idea of the tragic flaw. Nothing Is as It Seems includes extensive comparisons of Euripides' play with the Phaedra of Seneca. This is a very important book for students and scholars of Greek tragedy, literature, and rhetoric.

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Additional Information
BISAC Categories:
- Literary Criticism | Ancient And Classical
- Drama | Ancient & Classical
Dewey: 822.01
LCCN: 98036863
Series: Greek Studies: Interdisciplinary Approaches
Physical Information: 0.73" H x 5.92" W x 9.2" L (1.03 lbs) 232 pages
Themes:
- Chronological Period - Ancient (To 499 A.D.)
- Cultural Region - Mediterranean
 
Descriptions, Reviews, Etc.
Publisher Description:
In this valuable book, Hanna M. Roisman provides a uniquely comprehensive look at Euripides' Hippolytus. Roisman begins with an examination of the ancient preference for the implicit style, and suggests a possible reading of Euripides' first treatment of the myth which would account for the Athenian audience's reservations about his Hippolytus Veiled. She proceeds to analyze significant scenes in the play, including Hippolytus' prayer to Artemis, Phaedra's delirium, Phaedra's "confession" speech, and the interactions between Theseus and Hippolytus. Concluding with a discussion of the meaning of the tragic in Hippolytus, Roisman questions the applicability in this case of the idea of the tragic flaw. Nothing Seems as It Is includes extensive comparisons of Euripides' play with the Phaedra of Seneca. This is a very important book for students and scholars of Greek tragedy, literature, and rhetoric.
 
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