Dario Fo: Stage, Text, and Tradition Contributor(s): Farrell, Joseph (Editor), Scuderi, Antonio (Editor) |
|||
ISBN: 0809323354 ISBN-13: 9780809323357 Publisher: Southern Illinois University Press
Binding Type: Hardcover Published: November 2000 Annotation: Joseph Farrell and Antonio Scuderi present an international collection of essays reevaluating the multifaceted performance art of Nobel laureate Dario Fo. The contributors, all of whom either have previously published on Fo or have worked with him, are the major Dario Fo scholars of three continents. Going beyond the Marxist criticism of the 1970s and 1980s, the editors and contributors try to establish an appropriate language in which to debate Fo's theater. They seek to identify the core of Fo's work, the material that will be of lasting value. This involves locating Fo in history, examining the nature of his development through successive phases, incorporating his politics into a wider framework of radical dissent, and setting his theatrical achievements in a context and a tradition. The essays cover every aspect of Dario Fo: as actor, playwright, performer, and songwriter. They also provide the historical background of Fo's theater, as well as an in-depth analyses of specific works and the contribution of Franca Rame. |
Additional Information |
BISAC Categories: - Performing Arts | Theater - History & Criticism - Art | Performance |
Dewey: 852.914 |
LCCN: 00038785 |
Physical Information: 0.83" H x 6.3" W x 9.35" L (1.19 lbs) 232 pages |
Features: Dust Cover, Illustrated, Index, Table of Contents |
Review Citations: Choice 05/01/2001 pg. 1634 Univ PR Books for Public Libry 01/01/2001 pg. 76 - Strongly Recommended |
Descriptions, Reviews, Etc. |
Publisher Description: Joseph Farrell and Antonio Scuderi present an international collection of essays reevaluating the multifaceted performance art of Nobel laureate Dario Fo.
The contributors, all of whom either have previously published on Fo or have worked with him, are the major Dario Fo scholars of three continents. Going beyond the Marxist criticism of the 1970s and 1980s, the editors and contributors try to establish an appropriate language in which to debate Fo's theater. They seek to identify the core of Fo's work, the material that will be of lasting value. This involves locating Fo in history, examining the nature of his development through successive phases, incorporating his politics into a wider framework of radical dissent, and setting his theatrical achievements in a context and a tradition. The essays cover every aspect of Dario Fo: as actor, playwright, performer, and songwriter. They also provide the historical background of Fo's theater, as well as an in-depth analyses of specific works and the contribution of Franca Rame. |
Customer ReviewsSubmit your own review |
To tell a friend about this book, you must Sign In First! |