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The Fictions of Romantic Tourism: Radcliffe, Scott, and Mary Shelley
Contributor(s): Dekker, George (Author)

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 ISBN: 0804750084     ISBN-13: 9780804750080
Publisher: Stanford University Press
OUR PRICE: $71.25  

Binding Type: Hardcover
Published: November 2004
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Annotation: Exemplary Romantic novelists Ann Radcliffe, Sir Walter Scott, and Mary Shelley were likewise keen tourists and influential contributors to the discourse of Romantic tourism. The shaping power of this discourse-- already highly developed in poetry, travel literature, and the visual arts by the time they began writing-- affected not only what they saw and felt on tour but also how they imagined their greatest novels. Defining both tour and novel as privileged spaces exempt from the boring routines and hampering contingencies of ordinary life, these authors as well as many of their contemporaries and early Romantic predecessors effectively brought the tour into fiction and fiction into the tour.
This is the first extended study of the intimate connections between these two major cultural innovations of the later eighteenth and early nineteenth centuries, and the first to pay close attention to the active commerce, the fluid interplay, within the larger discourse of Romantic tourism, between British Romantic fiction, poetry, tour books, landscape painting, and book illustration (as exemplified by the collaboration between Scott and J. M. W. Turner).

Additional Information
BISAC Categories:
- Literary Criticism | English, Irish, Scottish, Welsh
Dewey: 823.709
LCCN: 2004013776
Physical Information: 0.94" H x 6.92" W x 8.86" L (1.24 lbs) 314 pages
Themes:
- Cultural Region - British Isles
Features: Bibliography, Dust Cover, Illustrated, Index, Table of Contents
Review Citations: Choice 04/01/2005 pg. 1399
 
Descriptions, Reviews, Etc.
Publisher Description:
This book explores the interrelationships between British fiction and tourism, 1745-1830, especially as these are exemplified in the novels and tours of three of the most important Romantic novelists. Its author shows that the imaginative reshaping of humdrum reality characteristic of the fiction of Ann Radcliffe, Mary Shelley, and Sir Walter Scott was also widely practiced by tourists who shared the same liberating "Romantic" aesthetic.
 
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