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We Tell Ourselves Stories in Order to Live: Collected Nonfiction; Introduction by John Leonard
Contributor(s): Didion, Joan (Author), Leonard, John (Introduction by)

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ISBN: 0307264874     ISBN-13: 9780307264879
Publisher: Everyman's Library
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Binding Type: Hardcover
Published: October 2006
Qty:

Annotation: For the first time, all of Didion's nonfiction writing on place, politics, lifestyle, and cultural figures from the 1960s to 2003 have been gathered together in one volume.

Click for more in this series: Everyman's Library Classics & Contemporary Classics
Additional Information
BISAC Categories:
- Literary Collections | Essays
- Literary Criticism | Women Authors
- Language Arts & Disciplines | Journalism
Dewey: 814.54
LCCN: 2006041043
Series: Everyman's Library Classics & Contemporary Classics
Physical Information: 2" H x 5.3" W x 8.2" L (2.15 lbs) 1160 pages
Features: Bibliography, Bookmark, Dust Cover, Price on Product, Price on Product - Canadian, Table of Contents
Review Citations: Library Journal 09/15/2006 pg. 60
New York Review of Books 04/26/2007 pg. 16
Newsweek 12/01/2008 pg. 12
Village Voice 03/25/2009 pg. 38
 
Descriptions, Reviews, Etc.
Publisher Description:

Includes seven books in one volume: the full texts of Slouching Towards Bethlehem; The White Album; Salvador; Miami; After Henry; Political Fictions; and Where I Was From.

As featured in the Netflix documentary Joan Didion: The Center Will Not Hold.

Joan Didion's incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection.

Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the "contemporary wasteland" of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions-on censorship in the media, Gingrich, Clinton, Starr, and "compassionate conservatism," among others-show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream.

 
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