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Arts of Address: Being Alive to Language and the World
Contributor(s): Roelofs, Monique (Author)

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ISBN: 0231194374     ISBN-13: 9780231194372
Publisher: Columbia University Press
OUR PRICE: $36.75  

Binding Type: Paperback - See All Available Formats & Editions
Published: January 2020
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Click for more in this series: Columbia Themes in Philosophy, Social Criticism, and the Art
Additional Information
BISAC Categories:
- Philosophy | Aesthetics
- Philosophy | Language
- Literary Criticism | Semiotics & Theory
Dewey: 121.68
LCCN: 2019025487
Series: Columbia Themes in Philosophy, Social Criticism, and the Art
Physical Information: 0.9" H x 6.1" W x 9.3" L (1.10 lbs) 344 pages
Features: Bibliography, Index
 
Descriptions, Reviews, Etc.
Publisher Description:
Modes of address are forms of signification that we direct at living beings, things, and places, and they at us and at each other. Seeing is a form of address. So are speaking, singing, and painting. Initiating or responding to such calls, we participate in encounters with the world. Widely used yet less often examined in its own right, the notion of address cries out for analysis.

Monique Roelofs offers a pathbreaking systematic model of the field of address and puts it to work in the arts, critical theory, and social life. She shows how address props up finely hewn modalities of relationality, agency, and normativity. Address exceeds a one-on-one pairing of cultural productions with their audiences. As ardently energizing tiny slippages and snippets as fueling larger impulses in the society, it activates and reaestheticizes registers of race, gender, class, coloniality, and cosmopolitanism. In readings of writers and artists ranging from Julio Cort zar to Jamaica Kincaid and from Martha Rosler to Pope.L, Roelofs demonstrates the centrality of address to freedom and a critical political aesthetics. Under the banner of a unified concept of address, Hume, Kant, and Foucault strike up conversations with Benjamin, Barthes, Althusser, Fanon, Anzald a, and Butler. Drawing on a wide array of artistic and theoretical sources and challenging disciplinary boundaries, the book illuminates address's significance to cultural existence and to our reflexive aesthetic engagement in it. Keeping the reader on the lookout for flash fiction that pops up out of nowhere and for insurgent whisperings that take to the air, Arts of Address explores the aliveness of being alive.

 
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