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Melodrama Unbound: Across History, Media, and National Cultures
Contributor(s): Gledhill, Christine (Editor), Williams, Linda (Editor)

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ISBN: 0231180675     ISBN-13: 9780231180672
Publisher: Columbia University Press
OUR PRICE: $44.10  

Binding Type: Paperback - See All Available Formats & Editions
Published: May 2018
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Additional Information
BISAC Categories:
- Performing Arts | Film - Genres - General
- Performing Arts | Film - History & Criticism
Dewey: 791.436
LCCN: 2017044006
Series: Film and Culture
Physical Information: 1.1" H x 7" W x 9.9" L (1.65 lbs) 440 pages
Features: Bibliography, Illustrated, Index, Price on Product
 
Descriptions, Reviews, Etc.
Publisher Description:
For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.

Pointing to melodrama's roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.


Contributor Bio(s): Williams, Linda: - Linda Williams is professor in Film & Media and Rhetoric at the University of California, Berkeley. She is the author of several books, including Hard Core: Power, Pleasure and the "Frenzy of the Visible" (University of California Press, 1999) and On The Wire (Duke University Press, 2014).Gledhill, Christine: - Christine Gledhill is Visiting Professor at the University of Sunderland. She is the editor or co-editor of several titles, most recently Doing Women's Film History: Reframing Cinemas Past and Future (University of Illinois Press, 2015).
 
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