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Claude Simon: Narrativities Without Narrative
Contributor(s): Brewer, Maria Minich (Author)

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ISBN: 0803212615     ISBN-13: 9780803212619
Publisher: University of Nebraska Press
OUR PRICE: $57.00  

Binding Type: Hardcover
Published: March 1995
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Annotation: Reputed to be a conservative group, the Nobel Prize committee astonished the world in 1985 by giving its prize to Claude Simon, one of the most adventurous and challenging of modern authors whose writing defies easy classification. This study shows exactly how inventive and challenging he is. Simon's works run the gamut from first-person narratives to narratives without a stable perspective. His novels deal with minute details of the grand stages of history - world war, for instance - and with the historical dimensions of everyday life. Maria Minich Brewer demonstrates that Simon has reformulated the standard forms of fiction to expose the logic of narrative, a complex and powerful legacy populated with stereotypes too easily accepted as natural. Her book brings into focus the cultural legacies embedded in narrative as well as the narrative dimensions of culture and history. Simon has voiced suspicion of narrative order. He never underestimates, however, either its pervasiveness or its powers. In his novels, he never dismisses narrative order as being merely a matter of formal conventions. On the contrary, he reveals narrative representation to be a powerful agent of some of the most violent events to which an individual is subject.
Additional Information
BISAC Categories:
- Biography & Autobiography | Literary Figures
Dewey: 843.914
LCCN: 94030413
Physical Information: 0.93" H x 6.13" W x 9.34" L (1.14 lbs) 185 pages
Features: Bibliography, Index
 
Descriptions, Reviews, Etc.
Publisher Description:
Reputed to be a conservative group, the Nobel Prize committee astonished the world in 1985 by giving its prize to Claude Simon, one of the most adventurous and challenging of modern authors whose writing defies easy classification. This study shows exactly how inventive and challenging he is. Simon's works run the gamut from first-person narratives to narratives without a stable perspective. His novels deal with minute details of the grand stages of history--world war, for instance--and with the historical dimensions of everyday life. M ria Minich Brewer demonstrates that Simon has reformulated the standard forms of fiction to expose the logic of narrative, a complex and powerful legacy populated with stereotypes too easily accepted as natural. Her book brings into focus the cultural legacies embedded in narrative as well as the narrative dimensions of culture and history. Simon has voiced suspicion of narrative order. He never underestimates, however, either its pervasiveness or its powers. In his novels, he never dismisses narrative order as being "merely" a matter of formal conventions. On the contrary, he reveals narrative representation to be a powerful agent of some of the most violent events to which an individual is subject.
 
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