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150 Years of Opera in Chicago
Contributor(s): Marsh, Robert C. (Author), Pellegrini, Norman (Author)

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ISBN: 0875803539     ISBN-13: 9780875803531
Publisher: Northern Illinois University Press
OUR PRICE: $54.55  

Binding Type: Hardcover
Published: July 2006
Qty:
Additional Information
BISAC Categories:
- Music | Genres & Styles - Opera
- Music | History & Criticism - General
Dewey: 792.509
LCCN: 2005036610
Age Level: 18-UP
Grade Level: 13-UP
Physical Information: 0.93" H x 8.4" W x 10.94" L (2.83 lbs) 330 pages
Themes:
- Cultural Region - Midwest
- Cultural Region - Upper Midwest
- Geographic Orientation - Illinois
- Locality - Chicago, Illinois
Features: Bibliography, Dust Cover, Index, Table of Contents
Review Citations: Univ PR Books for Public Libry 01/01/2007 pg. 1 - Recommended/Regional General
 
Descriptions, Reviews, Etc.
Publisher Description:

Chicago's love affair with opera began early, in 1850, when the frontier town welcomed its first traveling opera singers. A full house applauded the opening performance, but during a repeat performance the next day, the theater burned to the ground. Nonetheless, Chicago had been bitten by the opera bug, and it has never lost its enthusiasm for the art.

More than sixty years--and many visiting opera companies--would pass before the city established an opera company of its own. Robert Marsh recounts the trials and triumphs of the entrepreneurs and the colorful international artists who brought opera to Chicago and staged it in a number of different theaters. In the first half of the twentieth century, seven opera companies were started in Chicago--and failed. Finally, in 1954, three friends launched the company that became Lyric Opera of Chicago, and the city gained a company that not only thrived but earned recognition as one of the nation's great cultural institutions. This book also details the history and fortunes of the Chicago Opera Theater from its inception in 1974 to the present.

Singers, musicians, enterprising impresarios, richly decorated opera houses, and performances that held audiences spellbound all figure into Marsh's lively account of opera in Chicago. The story also provides an overview of changes in the operatic repertoire, audience development, and approaches to production as opera grew from a stand-and-sing event to its full flowering as enriching musical drama.

Enlivened with nearly a hundred illustrations, 150 Years of Opera in Chicago embraces its subject enthusiastically. This broad and engaging overview is supplemented with a list of professional opera performances in Chicago, from 1850 to 2005.

 
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