The Flowering of the Landscape Garden: English Pleasure Grounds, 172-18 Contributor(s): Laird, Mark (Author) |
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ISBN: 081223457X ISBN-13: 9780812234572 Publisher: University of Pennsylvania Press
Binding Type: Hardcover Published: March 1999 Annotation: While this book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flower beds, it also aims to animate the world of the 18th-century pleasure ground. 294 illustrations, 66 in color. Click for more in this series: Penn Studies in Landscape Architecture |
Additional Information |
BISAC Categories: - Gardening | Landscape - Gardening | Garden Design - Architecture | Landscape |
Dewey: 712.094 |
LCCN: 98-22949 |
Series: Penn Studies in Landscape Architecture |
Physical Information: 1.68" H x 8.66" W x 11.38" L (5.06 lbs) 464 pages |
Themes: - Chronological Period - 18th Century - Cultural Region - British Isles |
Features: Bibliography, Illustrated |
Review Citations: Library Journal 06/01/1999 pg. 155 New York Times 06/06/1999 pg. 16 |
Descriptions, Reviews, Etc. |
Publisher Description: The park of lawns, trees, and serpentine lakes in a picturesque composition of greens has long been viewed as the enduring achievement of eighteenth-century English landscape art. Yet this conventional view of the picturesque style ignores the colorful flowers and flowering shrubs that graced the landscape garden of the Georgian era. While the book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of theatrical shrubberies and flowerbeds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows how the unwritten lore of planting design was passed down by generation after generation of gardeners and discusses the interaction of landscape designer, client, nurseryman, land agent, and gardener in modifying and transforming the geometric layouts of previous generations. He traces the development of planting design theory and practice from Batty Langley to Capability Brown and William Chambers, and demonstrates how an English mania for flowering shrubs and conifers from eastern North America helped create the distinctive planting forms of the Georgian pleasure ground. Laird offers readers a wealth of visual and literary materials--from contemporary paintings, engravings, poetry, essays, and letters to more prosaic household accounts and nursery bills--to revolutionize our understanding of the English landscape garden as a powerful cultural expression. Through his original watercolor reconstructions of planting forms and through delightful descriptions of seasonal change and sensuous effect, he makes the gardens come alive, thus recognizing both the palpable qualities and aesthetic sophistication of eighteenth-century planting design. Laird's training as a landscape architect, garden conservator, and historian gives the book remarkable breadth and depth. It is a benchmark work, uniquely bridging the gap in landscape history between design and planting and horticultural studies. |
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