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Creating Their Own Space: The Development of an Indian-Caribbean Musical Tradition
Contributor(s): Ramnarine, Tina K. (Author)

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ISBN: 9766400997     ISBN-13: 9789766400996
Publisher: University of the West Indies Press
OUR PRICE: $33.25  

Binding Type: Paperback
Published: June 2001
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Annotation: Characterized by fast-paced, highly danceable rhythms, Chutney is a fusion of traditional and contemporary Indian and Caribbean influences. With its roots in the OutsHindi folk songs performed at birth and wedding ceremonies, Chutney has recently emerged in contemporary Indian-Caribbean life and has gone largely unrecognized in the body of scholarly literature.

In this volume Tina K. Ramnarine explores the evolution of Chutney and introduces the emerging Indian-Caribbean genre into the arena of scholarly discourse about music. Through analysis of the music, Ramnarine provides insights into social processes, effects of the diasporic settlements, and ways the music operates as a symbol of Indian-Caribbean identity. Some of the Indian elements in Chutney are not traditional, rather they are new ideas incorporated into the construction of the Indian-Caribbean identity. This introduction of new cultural elements is a common occurrence among people who have been transplanted to an unfamiliar geographical and cultural environment.

Additional Information
BISAC Categories:
- Music | Ethnomusicology
- Music | Genres & Styles - Folk & Traditional
- Literary Criticism | Caribbean & Latin American
Dewey: 781.629
LCCN: 2002407386
Lexile Measure: 1380(Not Available)
Physical Information: 0.47" H x 6.1" W x 9.06" L (0.66 lbs) 180 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

Characterized by fast-paced, highly danceable rhythms, Chutney is a fusion of traditional and contemporary Indian and Caribbean influences. With its roots in the Hindi folk songs performed at birth and wedding ceremonies, Chutney has recently emerged in contemporary Indian-Caribbean life and has gone largely unrecognized in the body of scholarly literature.

In this volume Tina K. Ramnarine explores the revolution of Chutney and introduces the emerging Indian-Caribbean genre into the arena of scholarly discourse about music. Through analysis of the music, Romnarine provides insights into social processes, effects of the diasporic settlements, and ways the music operated as a symbol of Indian-Caribbean identity. Some of the Indian elements in Chutney are not traditional, rather they are new ideas incorporated into the construction of the Indian-Caribbean identity. This introduction of new cultural elements is a common occurrence among people transplanted to an unfamiliar geographical and cultural environment.

Ramnarine's careful research and accessible style speak to scholars and general readers alike.

 
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