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Magical Negro
Contributor(s): Parker, Morgan (Author)

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ISBN: 1947793187     ISBN-13: 9781947793187
Publisher: Tin House Books
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Binding Type: Paperback - See All Available Formats & Editions
Published: February 2019
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Annotation: Explores black American womanhood by connecting the themes of loneliness, displacement, grief, objectification, and ancestral trauma.
Additional Information
BISAC Categories:
- Poetry | American - African American
- Poetry | Subjects & Themes - Death, Grief, Loss
- Poetry | Women Authors
Dewey: 811.6
LCCN: 2018041653
Physical Information: 0.3" H x 5.6" W x 8.4" (0.30 lbs) 112 pages
 
Descriptions, Reviews, Etc.

Contributor Bio(s): Parker, Morgan: - Morgan Parker is the author of There Are More Beautiful Things Than Beyoncé and Other People's Comfort Keeps Me Up At Night. Her poetry and essays have appeared in Tin House, the Paris Review, The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, Best American Poetry 2016, the New York Times, and the Nation. She is the recipient of a 2017 National Endowment for the Arts Literature Fellowship, winner of a 2016 Pushcart Prize, and a Cave Canem graduate fellow.

Reviewed by Publishers Weekly Reviews (PW Reviews 2018 December #3)

As witnessed in this third collection, blackness cannot be confined to a simple definition. Parker writes of the black experience not as an antidote or opposite to whiteness, but a culture and community where irreplicable nuances are created in spite of, not because of, pain and trauma. Blackness cannot be bought or sold; it's an inheritance. For example, in "Magical Negro #607: Gladys Knight on the 200th Episode of The Jeffersons," Parker writes, "When I'm rich I will still be Black./ You can't take the girl out of the ghetto/ until she earns it, or grows up into it." Similarly, in "The History of Black People," Parker frames the legacy of black people as "an investigation" and "a tragicomic horror film" and "joy stinging pink lips." Parker uses personal narratives to deconstruct societal stereotypes of black womanhood. In "When a Man I Love Jerks Off in My Bed next to Me and Falls Asleep," she observes, "When I walk into the world and know/ I am a black girl, I understand/ I am a costume. I know the rules./ I like the pain because it makes me." (Feb.)

Copyright 2018 Publishers Weekly.
 
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