Photography Changes Everything Contributor(s): Heiferman, Marvin (Editor), Foresta, Merry A. (Foreword by) |
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ISBN: 1597111996 ISBN-13: 9781597111997 Publisher: Aperture
WE WILL NOT BE UNDERSOLD! Click here for our low price guarantee Binding Type: Paperback Published: June 2012 |
Additional Information |
BISAC Categories: - Photography | Collections, Catalogs, Exhibitions - Group Shows - Photography | Criticism - Photography | Subjects & Themes - Regional (see Also Travel - Pictorials) |
Dewey: 770.1 |
LCCN: 2012004282 |
Physical Information: 0.9" H x 7" W x 10" L (1.75 lbs) 263 pages |
Features: Illustrated, Index, Price on Product, Table of Contents |
Review Citations: Choice 12/01/2012 People Weekly 07/15/2013 pg. 51 |
Descriptions, Reviews, Etc. |
Publisher Description: Copublished by Aperture and the Smithsonian Institution |
Contributor Bio(s): Heiferman, Marvin: - Curator and writer Marvin Heiferman has focused on the influence of photographic images on culture and history in projects such as Fame After Photography at the Museum of Modern Art, New York (1999) and Image World: Art and Media Culture at the Whitney Museum of American Art, New York (1989). A contributing editor to Art in America, he serves on the faculty of both the International Center of Photography/Bard College and the School of Visual Art s MFA programs in photography. He was creative consultant to the Smithsonian Photography Initiative from 2005 to 2011, during which time he conceptualized and curated click! photography changes everything (click.si.edu).Foresta, Merry A.: - Art historian and author of numerous essays and articles on American art and photography, Merry A. Foresta, was the founding director of the Smithsonian Photography Initiative from 2000 to 2010. Prior to that, she was senior curator for photography at the Smithsonian American Art Museum. Her publications include Perpetual Motif: The Art of Man Ray (1998), Between Home and Heaven: Contemporary American Landscape Photography (1992), Secrets of the Dark Chamber: The Art of the American Daguerreotype (1995), and At First Sight: Photography and the Smithsonian (2004). |
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