Drafts 1 38, Toll Contributor(s): Duplessis, Rachel Blau (Author) |
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ISBN: 0819564850 ISBN-13: 9780819564856 Publisher: Wesleyan University Press
Binding Type: Paperback - See All Available Formats & Editions Published: November 2001 Annotation: In Drafts 1-38, Toll, Rachel Blau DuPlessis has built a work which mimics memory and its losses, and which plays with the textures of memory, including its unexpectedness, its flashes and disappearances. Her recurrent motifs and materials include home, homelessness and exile; death and the memory of the dead; political grief and passion; silence, speech, the sayable and the ineffable. Drafts 1-38, Toll functions as a long poem comprised of 38 pieces, or drafts. These poems are conceived as autonomous "canto-like" sections that work on two procedural principles. One is the random repetition of lines or phrases across poems, a self-questioning, processual, and reconceptualizing strategy that honors the term "drafts." A second procedural principle is "the fold." This is the reconsideration of a "donor draft" and the deployment of some aspect in the donor draft in a related draft. The periodicity of this reconsideration is the number 19; hence drafts 1-19 make up the original layer, while drafts 20-38 constitute the first fold on top of this material. Click for more in this series: Wesleyan Poetry |
Additional Information |
BISAC Categories: - Poetry | American - General |
Dewey: 811.54 |
LCCN: 2001003507 |
Series: Wesleyan Poetry |
Physical Information: 0.86" H x 5.5" W x 8.46" L (0.84 lbs) 296 pages |
Review Citations: Publishers Weekly 11/19/2001 pg. 63 Women's Review of Books 05/01/2002 pg. 14 |
Descriptions, Reviews, Etc. |
Publisher Description: This book is one long poem in many sections. It is the "masterwork" of this avante garde poet, who has been working on this composition for a decade. In Drafts 1-38, Toll, Rachel Blau DuPlessis has built a work which mimics memory and its losses, and which plays with the textures of memory, including its unexpectedness, its flashes and disappearances. Her recurrent motifs and materials include home, homelessness and exile; death and the memory of the dead; political grief and passion; silence, speech, the sayable and the ineffable. Drafts 1-38, Toll functions as a long poem comprised of 38 pieces, or drafts. These poems are conceived as autonomous "canto-like" sections that work on two procedural principles. One is the random repetition of lines or phrases across poems, a self-questioning, processual, and reconceptualizing strategy that honors the term "drafts." A second procedural principle is "the fold." This is the reconsideration of a "donor draft" and the deployment of some aspect in the donor draft in a related draft. The periodicity of this reconsideration is the number 19; hence drafts 1-19 make up the original layer, while drafts 20-38 constitute the first fold on top of this material. |
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