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New and Selected Poems Reprint Edition - Volume 1
Contributor(s): Oliver, Mary

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ISBN: 0807068772     ISBN-13: 9780807068779
Publisher: Beacon Pr
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Binding Type: Paperback - See All Available Formats & Editions
Published: April 2004
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Annotation: Strikingly redesigned to accompany the publication of New and Selected Poems, Volume Two
Praise for the poetry of Mary Oliver:
"One of the astonishing aspects of Oliver's work is the consistency of tone over this long period. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets . . . There is no complaint in Ms. Oliver's poetry, no whining, but neither is there the sense that life is in any way easy . . . These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward."
--Stephen Dobyns, New York Times Book Review
"Mary Oliver's poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations."
--Stanley Kunitz
"One would have to reach back perhaps to [John] Clare or [Christopher] Smart to safely cite a parallel to Oliver's lyricism or radical purification and her unappeasable mania for signs and wonders."
--David Barber, Poetry
"I have always thought of poems as my companions--and like companions, they accompany you wherever the journey (or the afternoon) might lead . . . My most recent companion has been Mary Oliver's The Leaf and the Cloud . . . It's a brilliant meditation, a walk through the natural world with one of our preeminent contemporary poets."
--Rita Dove, Washington Post
Additional Information
BISAC Categories:
- Poetry | American
Dewey: 811/.54
LCCN: 92007767
Academic/Grade Level: Scholarly/Undergraduate
Book type: Non-Fiction
Physical Information: 9.25" H x 6.00" W x 1.00" (0.90 lbs) 272 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Strikingly redesigned to accompany the publication of New and Selected Poems, Volume Two
Praise for the poetry of Mary Oliver:
"One of the astonishing aspects of Oliver's work is the consistency of tone over this long period. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets . . . There is no complaint in Ms. Oliver's poetry, no whining, but neither is there the sense that life is in any way easy . . . These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward."
--Stephen Dobyns, New York Times Book Review
"Mary Oliver's poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations."
--Stanley Kunitz
"One would have to reach back perhaps to John] Clare or Christopher] Smart to safely cite a parallel to Oliver's lyricism or radical purification and her unappeasable mania for signs and wonders."
--David Barber, Poetry
"I have always thought of poems as my companions--and like companions, they accompany you wherever the journey (or the afternoon) might lead . . . My most recent companion has been Mary Oliver's The Leaf and the Cloud . . . It's a brilliant meditation, a walk through the natural world with one of our preeminent contemporary poets."
--Rita Dove, Washington Post

Contributor Bio(s): A private person by nature, Mary Oliver has given very few interviews over the years. Instead, she prefers to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as “far and away, this country’s best-selling poet.” Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published many works of poetry and prose.

As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005.

Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver’s essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs.

She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008). Oliver currently lives in Provincetown, Massachusetts, the inspiration for much of her work.

Beacon Press maintains a Mary Oliver website, maryoliver.beacon.org. You can also become a fan on Facebook at www.facebook.com/poetmaryoliver.

Reviewed by Publishers Weekly Reviews (PW Reviews 1992 August #2)
This collection brings together poetry from eight of Oliver's previously published books and 30 new poems. In all of her work, including the Pulitzer Prize-winning American Primitive , Oliver, ``full of curiosity,'' writes about the natural world, engaging the entwined processes of life and death. ``Amazement'' figures in her persistent attention to things seen: ``If you notice anything / it leads you to notice / more / and more.'' Description then leads to meditation, a leap beyond the material world. Fundamentally religious in impulse, many of the poems move quickly away from concrete description. Metaphors are not quite grounded in the real; rather, they are asserted, declared. Of a bear the one poem's speaker notes, ``all day I think of her-- / her white teeth, her wordlessness, her perfect love.'' Even though this bear flicks the grass with her tongue, sharpens her claws against the ``silence/of the trees,'' the reader cannot quite see her. It's as if Oliver reports on mysteries rather than embodying them. And so, despite its undeniable music, her work too often becomes rhetorical; too often its earnestness turns preachy and its feeling becomes sentimental. (Oct.) Copyright 1992 Cahners Business Information.

Reviewed by Publishers Weekly Reviews (PW Reviews 2005 October #4)

Following by 13 years her National Book Award-winning New and Selected Volume One , this big and very quotable collection offers more of what Oliver's fans revere: optimistic, clear and lyrical explorations of varying ecosystems, (especially the birds, mammals, ponds and forests of the northeastern U.S.) mingled with rapt self-questioning, consolation and spiritual claims some might call prayers. One of the 42 new poems watches ravens on a "morning of green tenderness and/ rain"; others describe a mockingbird, a white heron, an obedient dog, tiger lilies, deer, terns, blueberry fields on Cape Cod (where Oliver lives) and a "Mountain Lion on East Hill Road," glimpsed just "once, years ago." Poems reprinted from six earlier books (beginning with 1994's White Pine ) broaden the focus to insect life, to weather and the seasons ("I have talked with the faint clouds in the sky") and to other parts of the U.S.; while most poems use a mellifluous free verse, some choose the simplicities of prose, a form best achieved in Winter Hours (1999). (Nov.)

[Page 41]. Copyright 2005 Reed Business Information.
 
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