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Frail-Craft
Contributor(s): Fisher, Jessica (Author), Glueck, Louise (Foreword by)

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ISBN: 0300122357     ISBN-13: 9780300122350
Publisher: Yale University Press
OUR PRICE: $18.90  

Binding Type: Paperback - See All Available Formats & Editions
Published: April 2007
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Annotation: Jessica Fisher's "Frail-Craft" is winner of the 2006 Yale Series of Younger Poets competition and judge Louise Gluck's fourth selection for the series. The book and the dream are the poet's primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities--the frail craft--of perception for the reader, the dreamer, maintaining that "if the eye can love--and it can, it does--then I held you and was held." In her foreword to the book, Louise Gluck writes that Fisher's poetry is "haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking."


Click for more in this series: Yale Series of Younger Poets
Additional Information
BISAC Categories:
- Poetry | American - General
Dewey: 811.6
LCCN: 2006030901
Series: Yale Series of Younger Poets
Physical Information: 0.28" H x 6.22" W x 9.2" L (0.35 lbs) 96 pages
Features: Table of Contents
Review Citations: Publishers Weekly 03/19/2007 pg. 42
Library Journal 05/15/2007 pg. 94
Library Journal 06/01/2007 pg. 122
 
Descriptions, Reviews, Etc.
Publisher Description:

Announcing the 2006 recipient of the prestigious Yale Younger Poets prize

Jessica Fisher's Frail-Craft is winner of the 2006 Yale Series of Younger Poets competition and judge Louise Gl ck's fourth selection for the series. The book and the dream are the poet's primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities--the frail craft--of perception for the reader, the dreamer, maintaining that "if the eye can love--and it can, it does--then I held you and was held." In her foreword to the book, Louise Gl ck writes that Fisher's poetry is "haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking."

 
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