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Mirette on the High Wire
ISBN: 9780399221309
Author: McCully, Emily Arnold
Publisher: Putnam Pub Group
Published: October 1992
Retail: $16.99    OUR PRICE: $3.99
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Binding Type: Hardcover
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Annotation: Mirette lives in a boarding house surrounded by actors, dancers, jugglers and mimes. Her life is filled with exciting stories and fascinating people. None as magical as the stranger Mirette discovers crossing the courtyard on air--a tightrope walker. Mirette becomes the stranger's pupil and learns to walk the wire. Features brilliant watercolor and gouache paintings, reminiscent of the French Impressionists. 1993 Caldecott Medal winner. HARDCOVER
Additional Information
BISAC Categories:
- Juvenile Fiction | Action & Adventure
Library of Congress Subjects:
Tightrope walking; Fiction.
Dewey: [E]
LCCN: 91036324
Academic/Grade Level: Grade 1-2, Age 6-7
Series: Caldecott Medal Book
Book type: Easy Fiction
Target Grade: 1-2
Grade level: 1-2
Physical Information: 0.75" H x 75.00" L x 9.00" W
Bargain Category: Art/Music, Action & Adventure, Early Elementary, Picture Books
 
Descriptions, Reviews, Etc.

Contributor Bio(s): IV>Emily Arnold McCully was born in Galesburg, Illinois, and grew up "a daredevil child," always climbing trees or buildings. She made it to college intact, however, and received her B.A. from Brown University and an M.A. in art history from Columbia University.

Emily McCully's artwork has been included in the International Biennale at Bratislava, and she has won a Christopher Award for Picnic, one of the many picture books that she has both written and illustrated.

Writing also for adults, Ms. McCully has received grants from the National Endowment for the Arts and New York State Council on the Arts. Her book, A Craving was nominated for an American Book Award.

The idea for Mirette on the High Wire began as a biography of real-life daredevil Blondin. But the author changed her mind to accomodate the tree-climbing child and risk-taking adult she was and is.

copyright ? 2000 by Penguin Putnam Books for Young Readers. All rights reserved.


Reviewed by Publishers Weekly Reviews (PW Reviews 1992 October #4)
In this picture book set in 19th-century Paris, a child helps a daredevil who has lost his edge to regain his confidence. Many traveling performers stay at Madame Gateaux's boarding house, but Mme.'s daughter Mirette is particularly taken with one guest--the quiet gentleman who can walk along the clothesline without falling off. Mirette implores the boarder to teach her his craft, not knowing that her instructor is the ``Great Bellini'' of high wire fame. After much practice the girl joins Bellini on the wire as he conquers his fear and demonstrates to all of Paris that he is still the best. McCully's story has an exciting premise and starting point, but unfortunately ends up as a missed opportunity. Bellini's anxiety may be a bit sophisticated for the intended audience and, surprisingly, the scenes featuring Mirette and Bellini on the high wire lack drama and intensity. McCully's rich palette and skillful renderings of shadow and light sources make this an inviting postcard from the Old World. Ages 4-8. (Oct.) Copyright 1992 Cahners Business Information.
Reviewed by School Library Journal Reviews (SLJ Reviews 1992 October)
K-Gr 4-- Mirette's mother keeps a boardinghouse that attracts traveling performers . The girl is intrigued by one silent visitor, Bellini, who has come for a rest. She finds him next morning walking a high wire strung across the backyard. Immediately, she is drawn to it, practicing on it herself until she finds her balance and can walk its distance. But she finds the man unusually secretive about his identity; he was a famous high-wire artist, but has lost his courage. He is lured by an agent to make a comeback, but freezes on the wire. Seeing Mirette at the end of it restores his nerve; after the performance the two set off on a new career together. As improbable as the story is, its theatrical setting at some historical distance, replete with European architecture and exotic settings and people, helps lend credibility to this circus tale. Mirette, through determination and perhaps talent, trains herself, overcoming countless falls on cobblestone, vaunting pride that goes before a fall, and lack of encouragement from Bellini. The impressionistic paintings, full of mottled, rough edges and bright colors, capture both the detail and the general milieu of Paris in the last century. The colors are reminiscent of Toulouse-Lautrec, the daubing technique of Seurat. A satisfying, high-spirited adventure. --Ruth K. MacDonald, Purdue Univ . Calumet, Hammond, IN Copyright 1992 Cahners Business Information.